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Every new show gets a verdict — drop everything, worth it, background TV, slop, or a war crime. No press releases. No algorithm spin. Just a weekly ruling, delivered Friday morning.
24 issues published. 297 verdicts on the record. The latest one shipped Friday.
What you get
- A short weekly recap of every meaningful new show on the big six streamers
- A Pick of the Week — one thing actually worth your Saturday
- A running tab of what to skip, and why
What you don’t get
- Press releases rewritten with adjectives
- Ten emails a week
You’re not crazy. Most of it is bad. We’ll tell you which.
Issue 24 — Apple bumped you to $15 to watch the Silo finale
Silo's finale hits, Reacher's back, Ted Lasso got resurrected, and Apple wants another dollar.
Apple raised the price of Apple TV to $14.99 this week. Fifteen bucks. For a service whose entire brand identity is being the boutique streamer with about eleven shows and a lot of tasteful gray lighting. You're paying Netflix money for a farmer's market. Meanwhile the Silo season 3 finale aired the exact same day the price bump kicked in, and I refuse to believe that was a coincidence. Some product manager in Cupertino looked at the calendar and said "let's jack the rent the week Rebecca Ferguson makes them cry." Beautiful, evil business.
The other funny thing this week: Netflix ordered a Manifest spinoff called Arrivals: A New Manifest Mystery. They announced it on August 28. 8/28. Get it? Do you get it? Jeff Rake is back, exactly five years to the minute after Netflix rescued Manifest from NBC's clearance bin, because a spreadsheet somewhere decided there are still moms in Ohio who need to know what the plane meant. Nothing means anything. Everything is a puzzle box. Please subscribe.
Silo, season 3 finale (Apple TV+)
Graham Yost stuck the landing. The finale kills off someone big — Decider has the spoiler if you insist — and Rebecca Ferguson does the thing where her jaw tightens and you start feeling guilty for owning a house above ground. Silo has quietly become the most confident sci-fi show on any streamer, and it did it while everyone was busy watching Fallout. Three seasons in and it still hasn't gotten dumb. That's the whole compliment.
✅ WORTH IT
Reacher, season 4 (Prime Video)
Alan Ritchson continues to walk into rooms and make them structurally unsound. Season 4 of Reacher leans harder into the Lee Child pulp: international cartels, betrayed operatives, a large man who does not own a phone. It's the only show on television that understands its assignment. A guy the size of a Toyota Tundra shows up somewhere. Six people insult him. Six people immediately regret it. Roll credits. There is a reason this is the most-watched thing on Prime again. Sometimes what people want is a walking Ford F-150 with a moral code.
✅ WORTH IT
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What’s trending
isn’t always good.
Today’s top 10, ranked by raw popularity. Anything not already on the docket gets auto-sentenced by the court — trending doesn’t mean it earns the trophy.
Spider-Man: Brand New Day
Cretton ditches the multiverse, hands Holland a lonely NYC Peter, and lets Bernthal's Punisher steal scenes. Actually works.
Nolan's IMAX Odyssey, Damon as Odysseus. First reactions rave, a couple mutter 'easier to respect than love.' Go big screen.
Statham stalks a cargo ship for 70 minutes before the carnage kicks in. Grim, convoluted, watchable with your phone out.
Sheridan whispers in Land Rovers again. Rules if you're in, skip if you're out.
Eva Longoria, Mallorca, sick-daughter romance. Strictly for when mom visits.
Lindelof, King, Chandler, Pierre. Actual grownups made actual choices. The one thing this week that swings.
Season 3 finale sticks the landing. Most confident sci-fi on any streamer, still not dumb.
Curry Barker's $750K YouTube horror somehow made $400M and a 94 on RT. The cursed wish movie of the summer.
Think the court blew one? Cast a vote →
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