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The single closest show to The Bear is Boiling Point — it's a British drama about a head chef trying to keep a new restaurant alive while her kitchen crew melts down in real time, and it shares the one thing that actually makes The Bear The Bear: the handheld, claustrophobic, single-take kitchen panic where you can feel the heat lamps on the back of your neck. It was spun off from a 2021 feature film shot in one continuous take, which is the same nervous-system hijacking Christopher Storer is doing with his camera whenever Carmy is in the walk-in. If you specifically want the pots-clanging, ticket-printer-screaming, someone's-crying-by-the-dish-pit energy of The Bear, that's your answer. If you want the Chicago melancholy and the chosen-family stuff, keep reading, because nothing matches all of it — The Bear is doing about four shows at once and we're going to have to break it up across the list.
What The Bear actually is, so we can match it properly
Here's the problem with "shows like The Bear" lists written by content farms: they just type "restaurant show" into Google and turn in Boss Level: Gordon Ramsay. But The Bear is a weird chimera. It's a workplace panic attack. It's a grief drama about a dead brother. It's a Chicago show — like, specifically, deeply, Italian-beef-and-Alinea Chicago. It's a chosen-family hangout comedy when Richie isn't being a cousin. And it's shot like a Safdie brothers movie had a baby with a Food Network documentary.
So the list below is tiered by what part of The Bear you're chasing. Closest matches first, then strong matches on one or two axes, then the tangential picks TMDb insists are similar and which mostly aren't. I kept the bad recommendations in so you know which ones to skip.
Tier 1: Closest to The Bear
Boiling Point (2023, 1 season, BBC / various)
If The Bear's kitchen scenes are what you're chasing — the handheld camera, the overlapping yelling, the sense that one dropped pan ends six careers — this is the show. Stephen Graham (who The Bear fans know as Chef Terry in season 2) produced it; it's a spin-off of the 2021 one-take feature film of the same name. Head Chef Carly is basically a British Carmy trying to keep a new London restaurant from imploding under financial pressure. Start at episode 1 — it's only four episodes, so you're not committing a weekend, you're committing a Tuesday night. What's different: it's British, so the shouting is more clenched-jaw and less "CORNER BEHIND," and there's no Chicago, no dead brother, no Fak brothers. Four episodes, complete miniseries, ended. Watch it and you'll understand why The Bear feels the way it feels.
Black Rabbit (2025, 1 season, Netflix)
A rising-star New York restaurateur gets dragged into the criminal underworld by his chaotic brother showing up with loan sharks attached. Read that sentence again. It is The Bear with a gun. Jude Law and Jason Bateman as brothers running a hot restaurant while one of them is actively torching the other's life — the family wound at the center of The Bear turned up to a thriller pitch. Start at episode 1 and commit to the pilot; it takes a beat to set up. What's different: this is a crime show first and a restaurant show second. The kitchen is the backdrop, not the battlefield. If you loved the Fishes episode because it was a pressure cooker about brothers, this scratches that specific itch at eight-episode length. Eight episodes, limited series, ended.
Six Feet Under (2001, 5 seasons, HBO Max)
Hear me out. The Bear is not actually a show about a restaurant. It's a show about a family business after a death, where the surviving brother has to run the thing the dead brother left behind, and every character is processing grief at a different speed in the same building. That is Six Feet Under exactly, except the family business is a funeral home in Los Angeles instead of a sandwich shop in Chicago. Alan Ball's show is the grandfather of the "workplace is also the haunted house of your family" genre The Bear is operating in. Start at season 1, episode 1 — the pilot is one of the best pilots ever made and if it doesn't hook you, bail guilt-free. What's different: it's slower, more novelistic, and from 2001, so the pacing assumes you have an attention span. 63 episodes across 5 seasons, ended, with one of the best series finales on record.
Tier 2: Strong match on one or two axes
Shameless (2011, 11 seasons, Netflix / Hulu)
The Chicago show. Working-class South Side, a dysfunctional family of siblings covering for a useless patriarch, everyone yelling over each other in a cramped house — tonally, this is The Bear's cousin by blood. The Gallaghers are what the Berzatto family would be if they owned zero restaurants and drank a little more. Start at season 1, episode 1 — the first three seasons are great, the middle sags, and the last few seasons are there to pay the cast. What's different: it's a sprawling comedy, not a panic-drama. No fine-dining, no Copenhagen flashbacks, no Sydney. And 11 seasons is a commitment — you're enlisting, not watching. 134 episodes, ended. If you want Chicago energy and rough-family-loves-each-other energy, start here and tap out whenever the vibe breaks.
Succession (2018, 4 seasons, HBO Max)
Different world, same disease. Succession is what happens when you take the dysfunctional-family-business machinery of The Bear and move it into a media conglomerate where everyone wears a quarter-zip worth more than your car. The overlapping dialogue, the long handheld takes, the hideous love between siblings who are actively ruining each other — Jesse Armstrong and Christopher Storer went to the same finishing school. Start at season 1, episode 1 and push through the first three episodes; it clicks hard at episode four. What's different: no kitchens, no working class, no stakes you'd call "real" — these people are not going to run out of money. The ache is all psychological. 39 episodes, 4 seasons, ended, and the finale sticks the landing.
Bad Sisters (2022, 2 seasons, Apple TV+)
Five Irish sisters, one monstrous brother-in-law who is the problem, and a tight-knit unit that covers for each other through increasingly insane circumstances. If you love The Bear for the chosen-family-plus-actual-family ride-or-die dynamic — the way Sugar and Carmy and Natalie fight and then close ranks — this gives you that with an accent and a murder plot. Start at season 1, episode 1. What's different: it's a black comedy thriller, not a workplace show. The pressure is whodunit pressure, not dinner-rush pressure. Sharon Horgan runs it, which means the writing is as sharp as it sounds. Season 1 is a complete contained story; season 2 exists and is fine; ongoing / renewed. Ten sharp episodes, one weekend.
The Chi (2018, 6 seasons, Paramount+ / Showtime)
The other Chicago show, and the one that shares The Bear's actual geography. The lead character in season 1 is Brandon, a young chef who dreams of opening his own restaurant on the South Side — they are explicitly in conversation with each other, whether they mean to be or not. Lena Waithe created it, and the ensemble work and neighborhood specificity are the closest thing to The Bear's love letter to Chicago that you'll find on TV. Start at season 1, episode 1, and know that the restaurant-dreams thread is specifically the first two seasons — after that the show becomes more of a sprawling neighborhood drama. What's different: it's slower, less formally showy, and much more about community than kitchen. Ongoing, six seasons in, season 7 confirmed.
Tier 3: Tangential — one specific overlap, otherwise different
After Life (2019, 3 seasons, Netflix)
A grief show. Ricky Gervais plays a widower deciding to say whatever he wants to whoever he wants because his wife died and nothing matters anymore. If the part of The Bear that lives rent-free in your head is Carmy processing Mikey's suicide — the quiet gutted moments, the dead-brother stuff — this is a whole show about that single emotion. Start at season 1, episode 1 — episodes are 30 minutes and you can do the whole series in a weekend. What's different: no kitchen, no workplace, no ensemble. It's one man in a small English town walking a dog. 18 episodes, ended. Expect to cry and laugh in the same minute, which, yes, is also The Bear.
Brothers and Sisters (2006, 5 seasons, Hulu)
The Walker family copes with a patriarch's death and tries to hold the family business together. On paper: matches The Bear. In practice: this is a Sally Field network melodrama from 2006 and it moves at the pace of someone slowly pouring chardonnay. If your mom loves The Bear and needs an entry point, sure. Otherwise skip. Start at season 1, episode 1 if you're committed. What's different: everything about the texture — it's glossy, paced for ABC commercial breaks, and no one is yelling in a walk-in. 109 episodes, ended.
Mike & Molly (2010, 6 seasons, HBO Max)
TMDb suggested this because it's set in Chicago and features a working-class couple. That's the entire connection. It's a multi-cam CBS sitcom with a laugh track. I'm including it so you know to skip it. Melissa McCarthy is great, the show is not The Bear-adjacent in any meaningful way, move along.
What I'm leaving off the list
TMDb also suggested given (a Japanese romance anime), Solos (a pandemic-era anthology), and King the Land (a Korean rom-com about a hotel heir). These recommendations exist because algorithms are stupid and see the word "family" or "workplace" and fire. None of them are shows like The Bear. I'm not going to pretend otherwise to hit a word count.
FAQ
What's the single show most like The Bear?
Boiling Point. Four episodes, one-take-style kitchen panic, British head chef barely holding it together, Stephen Graham in the producer credits. It's the closest anyone's gotten to replicating the specific nervous-system effect of a Bear kitchen scene, and at four episodes you can test the match in one night.
Is there anything as good as The Bear?
Depends on what you mean by good. Six Feet Under and Succession are better-written shows by most measures — they both have completed five- and four-season arcs and they both stick the landing. The Bear is doing something no other show is currently doing formally, but if you want "prestige drama that will wreck you," those two are the tier.
Did the The Bear creators make anything else?
Christopher Storer has mostly worked in comedy specials — he directed Bo Burnham's Eighth Grade press material and a bunch of comedy specials, and he co-created Ramy with Ramy Youssef, which is on Hulu and shares The Bear's quiet-observational-dramedy DNA. Ramy is the closest thing to a sibling show from the same sensibility.
Where can I watch The Bear?
The Bear is a Hulu original in the US (on Disney+ in most international markets). All seasons stream there. It's not on Netflix, never will be, stop searching.
Start with Boiling Point, episode 1, this weekend. Four episodes, one sitting, and you'll know immediately whether the kitchen-panic subgenre is the thread you want to pull. If it hits, go straight to Black Rabbit next. If you'd rather pivot to the grief and family-business side of The Bear, open Six Feet Under on HBO Max and start at the pilot. Either path is a real weekend. Corner, behind.
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